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Faculty

Core Faculty

Name
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Dory Rebekah Sibley is the Undergraduate Programs Associate and the professor of Voice and Ensemble Performance at the Accademia dell’Arte. She is the Co-Founder of the NYC based physical theatre company Tut’Zanni Theatre Company. Already in their sixth year, Tut’Zanni has performed and taught all over the world. She is also a founding member of the all-woman clown troupe Women From Mars and recently toured their ‘clown-noir’ cabaret SILENT REFLECTIONS through Italy and parts of the USA. Dory is one of the pioneer teachers of Voice in the Mask work and currently teaches and develops new projects in collaboration with colleague Torbjörn Alström, Head of Puppetry, Masks and Animation at the Frölunda Kulturhus in Gothenburg, Sweden.

Dory is a certified teacher of Fitzmaurice Voicework® and has over ten years of experience in various voice and bodywork fields including Roy Hart Experimental Voice, classical voice and opera theatre, Alexander and Feldenkrais techniques. She completed her teaching certification in the Elemental Body Alignment System (EBAS) in 2013. She was an ArezzoFestival organizer for over 4 years, was the CrisisART Festival Collective Facilitator from 2012 – 2014 and serves as President of the ADA Alumni Association. As a freelance artist, she continues to perform her original devised work in the USA and Europe. Learn more about Dory’s ongoing projects and pedagogy on her website: www.doryrebekah.com

DORY REBEKAH SIBLEY

Undergraduate Programs Associate
Voice and Ensemble Performance

dory.sibley@dellarte.it

Name
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Ginevra Scaglia was trained at the Ecole Internationale de Théatre Jacques Lecoq graduating in 1996. Subsequently she specialized in Movement Studies at LEM, Ecole Jacques Lecoq and followed a series of workshops with notable practitioners including Pierre Byland and Phillippe Gaulier (clown), Théatre de Complicité and Théatre du Soleil.

She is a co-founder of Ishka Theatre Company in Dublin and PlayEnglish Theatre Company in Torino. She has performed in Physical Theatre performances on tour in Ireland, the UK, Italy, Germany, Czech Republic, France, Belgium and China: “Red Day” with Ishka Theatre company was presented at the Dublin Fringe Festival, The London Mime Festival and the Edinburgh Festival. In collaboration with Paola Valla she directed “Romeo and Giulietta” for Sinequanon Company, which toured extensively in Italy (Sardinia, Piedmonte and Aosta).

As a teacher she has led workshops and long term training modules in Torino (Atelier Teatro Fisico Philip Radice, Quinta Tinta Impro School, Columbus Cionema Acting School) as well as in Dublin (Down to Earth Theatre Company). In 2013 she was appointed as Pedagogical Assistant at the Ecole de Theatre Jacques Lecoq.

GINEVRA SCAGLIA

Lecoq Training

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Samuel Angus McGehee 1987, originally from Boston, grew up in Tuscany where from a young age was engaged in music, street circus and philosophy. Sam studied clarinet performance with Igor Begelman and philosophy with Marina Vitkin at Sarah Lawrence College NYC. He also studied sitar with Rajesh Shah and philosophy with Shashank Srivastava at Benaras Hindu University in Varanasi, India. Sam holds an MFA in physical theatre from the Accademia dell’Arte in Arezzo, Italy. Sam’s interdisciplinary approach has brought him to collaborate with a variety of people including painters, dancers, poets, musicians, actors, and researchers. So far Samuel has performed in Italy, Germany, Greece, Czech Republic, Slovakia, Poland, Romania, Switzerland and India; he has also taught in many of these places. Sam was original member of experimental rock band Sycamore Age (IT), and was member of physical theatre company Divadlo Continuo (CZ). He is founder of Broken Jump Theatre and experimental duo Zvukulàska; he also lectures on Indian philosophy at Florence University of the Arts. Sam continues to pursue a variety of collaborations with other artists; he is interested in poetry, composed theatre, experimental music and movement. Samuel has also always remained for better or worse a devout student of metaphysics.

SAMUEL McGEHEE

Movement
Devising
Juggling

Name
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Actor, director, scholar, and theatre educator, Giangiacomo Colli received his formal acting and directing training with two of the major figures of post-World War II Italian theatre, Vittorio Gassman and Orazio Costa. An accomplished practitioner of Commedia dell’Arte, he was introduced to this popular form of theatre by his father, a renowned theatre and television director, and then perfected his skills under Carlo Boso. His theatre formation also includes workshops with Joseph Chaikin, Shiro Nomura, Jerzy Grotowski, and Chuck Mike, among others.

Alongside his professional career, Giangiacomo graduated from the University of Rome in theatre history, received an M.F.A. in directing from the University of Hawaii, and a Ph.D. in drama from the University of Toronto. He has taught in Canada at the University of Toronto, Sheridan College, and Brock University, and in the US, at Franklin & Marshall College, Texas State University-San Marcos, and Middlebury College. Since 2014, in Italy, he has collaborated with the Master of Social Theatre at the University of Rome; the Training Course for Actors “Orazio Costa” at the Pergola Theatre, in Florence; the Rome–based association Teatroavista; and has developed his own devising technique, Il fattore umano, based on collaborative dramaturgy. Giangiacomo is also the author of a volume on Orazio Costa’s holistic acting training, a few articles, and an educational play on Commedia dell’Arte.

GIANGIACOMO COLLI, PhD

One Year Program Coordinator
Storytelling
History/Aesthetics

giangiacomo.colli@dellarte.it

Name
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Sašo Vollmaier is a pianist, composer, performer and teacher. He graduated from the Academy of Music in Ljubljana (Slovenia) in 2008 – professor of piano. In 2005 he met PanTheatre (France). He joined the Slovenian avant-garde music group Laibach in 2007 – 2013 as a keyboard player. In 2013 he moved to France where he meets Viviane Gay, an actress with whom he started developing his presence on the stage as a performer trough his voice, movement and music. The voice work brought him to Malérargues (France) again where he started to give classes, collaborating with other voice teachers and giving the concerts and performances. In the same year he begins to direct the performance called “Generation”. This project allows him to meet the Roy Hart Theatre in terms of the power of the presence, fragility, expression, authenticity, curiosity…

Vollmaier teaches musical aspects, encourages the students to invent their own language, working on presence, voice and movement. In 2014 he started to collaborate with Susanne Weins – performance artist, giving the voice/movement workshops in Düsseldorf and creating their own theatre productions (Bewegte Oktaven, Fragile Breath, Melancholia,…) most of them directed by Sabine Seume. He works as a voice teacher mainly in France, Germany, Italy and Brazil.

“Electric Unicorn” is the name of electro-acoustic project created by three completely different personalities (I. Leitinger, L. Jamnik, S. Vollmaier) in 2013 with different musical backgrounds.

Vollmaier’s accomplishments include theatre and cartoon scores, choral arrangements, marching orchestras, big bands, playing as a studio musician (Laibach, Bratko Bibič, Silence, Funtango, radio/TV broadcastings,…)

SAŠO VOLLMAIER

Hidden Dimensions

Name
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Chiara D’Anna is an Italian actor, director, lecturer and Commedia dell’Arte specialist with over 20 years of experience. She trained in Italy, Poland and the UK. Her work on the contemporaneity of Commedia dell’Arte culminated in her PhD “A Journey back Home: The Legacy of Commedia dell’Arte in Post-dramatic Theatre with particular focus on the centrality of the Actor in Devised Performance” (The Sir John Cass School of Art, Architecture and Design- London Metropolitan University 2014-18). She regularly teaches and runs workshops/masterclasses on Commedia dell’Arte and Physical Theatre at RADA, East15 Acting School, Rose Bruford College and the National Centre of Circus Arts. As Associate Artist of the research group ‘The Quick & the Dead’ she worked for over eight years in developing a new methodology for Actor Training known as the ‘Core Training’. The outcome of this research was published by Routledge in a DVD-pamphlet: ‘Core Training For the Relational Actor’ (2013) and documented by Peter Hulton for the Exeter Arts Archives. Chiara is co-founder of Natural You Dance, a movement meditation practice that draws on Yoga, dance, physical theatre and meditation.

CHIARA D’ANNA

Commedia dell’Arte

Faculty

Name
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André Casaca is one of the most popular professionals of physical theatre and clown in Italy. He’s Brazilian and a resident of Italy since 1995. The Lume Teatro (Lume Theatre – Campinas, Brazil) and Yves Lebreton were fundamental to his preparation and formation. Actor, theatrical researcher, clown, director, and founder of the method called “Body Comic Identity”.

Engaged in theatre for more than 25 years, his artistic and pedagogic method is recognized in Italy and abroad in university theatrical studies. He is the artistic and pedagogic director at the Teatro C’art Comic Education Onlus (Castelfiorentino, Italy) and he collaborates with many theatre schools. www.teatrocart.com

ANDRÉ CASACA

Clown – Comic Body and Identity

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Gianni Bruschi is one of the founding members of Spazio Seme in Arezzo (Tuscany) where he is artistic director and where he teaches theatre, voice, and expressive movement. A singer and actor, he has trained with many Italian and foreign artists. He directs ensemble work related to voice, theatre, and dance in the Italian expressive culture, and he has held concerts in festivals around Italy and various Mediterranean countries such as France, Egypt, Albania, Greece, Morocco, Tunisia, Spain and India.

He studied Belcanto and Opera with Slavka Taskova Paloetti, with whom he collaborated at the Fondazione Guido d’Arezzo. He got a degree in Italian Literature and history of the theatre at the University of Siena; he got the status of “expert of education” on professional profile of Tuscany Region related to European Community. He is achieving a degree as a counselor at the Institute of Psychosynthesis of Roberto Assagioli in Florence.

GIANNI BRUSCHI

Tarantella

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ALESSANDRA FAENZA

Mask Making

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Nhandan Chirco is a performer, director, teacher, and choreographer. Her work has been presented at numerous festivals and institutions throughout Italy, Slovenia, Croatia, Serbia, Germany, France and Austria. From ’94 to ’98 she was part of the artistic team at the Workcenter of Jerry Grotowski and Thomas Richards; afterwards she collaborated with directors Branko Popovic, Tomi Janezic and Zlatko Sviben. She worked as a performer and pedagogue with the choreographer Maja Delak, with contemporary dance company EN-KNAP in Ljubljana and collaborated in artistic creations with different choreographers.

Since ’99 she conducted numerous seminars collaborating with Universities of Urbino – Italy and of La Valletta – Malta and in numerous theatre institutions in Europe and beyond. In 2004 she taught the course Body and Voice Work in the post-graduate specialisation course Body Unlimited – University of Novi Sad, and she also taught the undergraduate course Body Work at the University of Osijek in Acting Department.

From 2009-2013 she developed the project STREAMLINE and the performances Quanta, More, Queens, and Hidden Sessions – from #00 to #14. She graduated in “Live Performing Arts” at DAMS in Bologna where in 2013 and 2014 she held theoretical lessons titled “On Live Creation.” In 2012 she launched the platform F.A.C.K. for the experimentation of new cultural and artistic modes of production. In 2014 she completed the artistic project ET L’EUROPE ALORS in collaboration with ZaLab filmmakers group.

NHANDAN CHIRCO

Movement and Body Work

nhandan.chirco@dellarte.it

Name
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Born in the South of Germany Sabine Fichter studied Modern/ Contemporary dance in Duesseldorf, Berlin and at the European Dance Development Centre (EDDC) in Arnhem (Netherlands). For ten years she had been working as a dancer with companies such as Neuer Tanz, Frey Faust Dance Company, Telos Dance Company and Exis Dance. She has presented her own choreographic work in Germany, Brazil and Argentina.

In 1997 she was certified as a Movement Analyst (CMA) by the Laban/Bartenieff Institute of Movement Studies (LIMS, New York) and is now a guest teacher on the European CMA training. In 2004 she received her Master Degree in LMA and Somatic Studies from Surrey University, UK. Since then she has taught somatic based movement classes, composition and Laban Movement Analysis at London Metropolitan University, the University of Limerick, Ireland and the Palucca Dance University in Dresden, where she has also been a research associate for InnoLernenTanz, a project which investigates innovative teaching and learning strategies.

She has been working as a somatic practitioner/movement therapist with children and adolescents at the Psychiatric Department of the Carl Gustav Carus Hospital, Dresden, for the past 18 years. Her main focus in the therapeutic work is on body oriented therapy for patients with eating disorders and body image issues.

SABINE FICHTER

Dance Program Director
Laban Movement Studies
Contemporary Dance

sabine.fichter@dellarte.it

Name
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ELENA D’RENZIO

Italian Song

Guest Faculty

Name
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Iztok Kovač is a choreographer, teacher and dancer in Ljubljana, Slovenia. In the 1990s virtually out of nothing established the notion of the Slovene contemporary dance in the cultural space of Europe and beyond. In 1993 he established the international dance company En-Knap in Leuven, Belgium, under the wings of Klapstuk Festival; a year later the group moved its headquarters to Ljubljana, where he established EN-KNAP Productions. After 14 years of project-based work, in 2007 Kovač founded the international dance company EnKnapGroup, the first permanent ensemble for contemporary dance in Slovenia, thus beginning working on a repertory basis. Two years later EN-KNAP Productions was entrusted the management of the Španski Borci Cultural Centre in Ljubljana, where Iztok Kovač is the artistic director, and programmer of the domestic and international programme. In addition to 34 own projects, artistic direction and pedagogical work, his opus includes also six dance films. In 22 years, his EN-KNAP has introduced and established its own esthetics inside the European space and formed its trademark, into which many acclaimed coproducers have invested from the outset. For his work, Iztok Kovač has received prominent domestic and international awards.

IZTOK KOVAČ

Movement Composition

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Andrea Caban is an Associate Professor and Head of Voice & Speech in the Theatre Arts Department at CSU Long Beach, Associate Director of Knight-Thompson Speechwork and Associate Specialist in the UCI Department of Neurology. She is the accent expert on HowCast.com demonstrating over 35 accents, a theatrical production coach, a regular speaker coach for TED, and a community based theatre maker. An award winning solo artist, Caban has performed her original works in Colombia, the UK, South Africa, Costa Rica, Spain and across the US. She has adapted actor voice and accent training for the care of people living with ALS to prolong the ability to speak without assistive devices.Caban’s writing on this subject earned her the VSR 2018 Dudley Knight Award for Outstanding Vocal Scholarship. AndreaCaban.com. MFA, UC Irvine.

ANDREA CABAN

Voice Intensive

Name
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Elaine Vaan Hogue is an actor, director, devisor, and teacher.  Directing projects include Nixon’s Nixon, Straight White Men, Oleanna, Baltimore, The Amish Project, Imagining Madoff ,  The Kite Runner (New Repertory Theatre); The Tempest (Arts After Hours); After Orlando–A Theatre Action, A Disappearing Number (Central Square Theatre); Metamorphosis (Boston Center for American Performance); Walking the Volcano (BCAP/BPT); Crave (Nora Theatre Company); Thin Air: Tales from a Revolution (UMKC); Infinity’s House, ‘Tis Pity She’s  a Whore, Good Breeding (Emerson Stage); Fen (New Theatre).  Elaine teaches acting, directing and devising at Boston University where she has directed over 40 productions.  As an actor she most recently she appeared in Dark Room (Bridge Repertory Theatre); Mrs. Packard (Bridge Repertory Theatre/Playhouse Creatures); The Journey (BCAP/InMotion Theatre); Friends of Armenia (Faneuil Hall); The Road to Mecca (BCAP).  Devised work includes The Future of Ice (Studio Theatre); Creation: Mythic Weavings (MagdalenaUSA); When Jennie Goes Marching (Olney Theatre Center).   She is a fervent member of The Magdalena Project, an international network of women in contemporary theatre, and recently participated in her sixth Transit Festival at the Odin Teatret in Denmark.  Upcoming projects include the world premiere of Representation, and How To Get It  (Sleeping Weazel) in which she will play the visionary human rights activist, Julia Ward Howe.

ELAINE VAAN HOGUE

Movement Workshop

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Yo-EL Cassell, award winning choreographer, movement specialist and Head of/Assistant Professor at Boston University, has directed movement from the big screen to off-Broadway sensations. Cassell has choreographed and directed movement for Comedy of Errors, All’s Well That Ends Well, Two Gentlemen of Verona, Coriolanus, King Lear, Love Labours Lost, Romeo and Juliet, A Midsummer Night’s Dream, Measure for Measure, Twelfth Night and Othello as Resident Choreographer for Commonwealth Shakespeare Company (CSC); Lilly’s Revenge for American Repertory Theatre; The Understudy and Mr. Burns, a Post-Electric Play for Lyric Stage Company of Boston; Sound of Music for Nantucket Dreamland Theatre; Kiss Me, Kate (featuring Kerry O’Malley and Marc Kudisch), A Midsummer Night’s Dream, The Boys from Syracuse, Symphonic Shakespeare, Footloose and Fancy Free (Movement Director/Curator), and Urban Sprawl for Boston Landmarks Orchestra/CSC; Violet for Suffulk University, Good Breeding for Emerson Stage, Sunlight Interior, Sweet and Sour, and The Distance Between for Walnut Hill School for the Arts; A Little Night Music, Alcina,and Orpheus in the Underworld for Boston Opera Collaborative; Sunlight Interior for San Antonio Repertory Ballet; Full-Noon Trill and Gravitate for Skidmore College; Die Fledermaus for New England Conservatory, and Laughs in Spanish(Intimacy work) for Boston Playwrights Theatre. His previous teaching experience also includes the NY Acting School for Film and Television, Harvard University Dance Department, New England Conservatory, Walnut Hill School for the Arts, Sunshine Cottage School For Deaf Children, Celebrity Series of Boston, Commonwealth Shakespeare Apprentice Academy, the Association for Theatre in Higher Education Conference, Boston Ballet, Dance Complex, and Skidmore College, where he served as a guest teaching artist/choreographer in residence for three years. In 2017, along with BU School of Theatre Director Jim Petosa, Yo-EL developed InMotion Theatre, an Initiative that highlights storytelling, either via an original work or an adaptation, primarily through the lens of many diverse approaches of movement, including design and music. He is also the artistic director and founder of Ensemble 360, a physical-theatre ensemble comprising male actors, dancers, and musicians whose mission is to highlight the importance of storytelling through movement. Cassell was born with a nerve deafness and discovered at the age of 3 that movement was his organic expressive channel for his personal and creative identity. His mission, as a performer, director, choreographer, movement director, educator, mentor, and human being, is to provide the same accessible physical entry point to other’s inner selves that he supportively received as a child and throughout life. He supports accessibility through movement practice in various communities throughout Boston and has served as Resident Choreographer for The Shadow Box Theater in NYC as well as Student Engagement Manager and creative producer for ArtsEmerson at Emerson College’s Office of the Arts. His teaching for movement practice, through a thoughtful fusion of various movement and theatre approaches, stresses the importance of incorporating personal identity with an integration of a strong technical foundation. Thus, balancing the importance of owning, in equal measure, the ecstatic and informative self in and outside the walls of movement study. Cassell is a member of Stage Directors and Choreographers Society, Association of Theatre Movement Educators (ATME)

YO-EL CASSEL

Movement

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